This thread is starting to feel like "where eagles tread " If film it is . . .
Strategy 1: Buy a Leica (particularly a rangefinder camera). They cost the very earth and they are the very best. Depending on your predisposition you can buy new or old and make wonderful images. Go completely retro and shoot black and white only. There is a huge and rabid subculture associated with the brand. They last forever if looked after properly. There are excellent service professionals in the US or wherever it is you fancy. They don't depreciate. I've owned most of the screw mount cameras, M3s (still own two), M6s, and R7s.
Strategy 2: Similar to strategy 1. Buy a Nikon. Any F model will do. Everything I said in Strategy 1 holds true here. I've owned lots of F, F2, and F3s and loved them all. They're not as big as you think they are and the old glass is superb. Beware of cameras that look beat up as they might have been working cameras (war, sports, etc.) Don't buy anything that's less than cherry. I've bought a ton of this gear on e-bay. I would stay away from buying from an overseas seller. A version of this strategy would be to buy an old Minolta, Canon, Pentax, Olympus (any of the OMs), or any of the other names you recognize. I've owned and/or shot most of these. But my first choice for this strategy would be Nikon.
Strategy 3: Buy a Voightlander. It's sort of a Leica knockoff. A fine piece of kit at a good price point. The lenses are very good, though not as good at the limits (wide open for example) as the Leica equivalent. Go to this site [
https://www.cameraquest.com/voigtlen.htmclicky
https://www.cameraquest.com/voigtlen.htm] for more.
Strategy 4: Buy a "vintage" 35mm Point and Shoot. If you have access to a good camera technician (they often have them to sell and you'll need them to repair them if you don't just throw it away when it dies), either where you live or somewhere else, there are some intriguing smaller film cameras from the not too distant past that have good followings even today. Brands that come to mind are the Rollei, the Leica CL or one of the later models (can't remember what they're called anymore), Contax, Minox 35mm, and the original Olympus Stylus. A good place to look for
Strategy 5: Buy a new point and shoot. Not many out there, and even fewer good ones. Minox still makes a good one and it's priced accordingly (around $500). I know that Canon still makes their Sureshot series.
Strategy 6: Buy a new/slightly used SLR. Canon still makes their EOS series. They were and are great camera bodies. I probably still have one someplace that I'd be happy to sell you for a couple of bottle caps and a frog. PM me if you're interested. The good news here is that it's the same lens mount as their digital cameras. Nikon still makes the FM-10 which is a fine camera.
What is true of all cameras is particularly true of film cameras: they're boxes with a door to let light in. That's pretty much it. All the action is with the lens. This is especially true with film cameras because the film is the same from camera to camera. With digital, the quality of the sensor overrides everything else, including the glass IMHO.
While you wade through all this, think in terms of making a little matrix of your values vs. your choices. If it's price point, "don't care if I break it" and those sorts of things, you go one way. If it's make great pictures, learn about making great pictures, have a cool new piece of gear with gears and other mechanical things, etc., you go another way. For me, anything that sniffs of point and shoot should be digital all the way. Any other story I tell myself about taking pictures involving film lands me on Strategy 1 or 2. Get a Leica or a cherry Nikon F2 and enjoy the heck out of taking pictures with a true icon, and a keen piece of mechanical gear to boot. But be forewarned, if you go down that path, it's like a journey to the dark side. It makes farkling a bike look like the junior varsity.
Cheers